Daniel Levine on Sunday-S Since 1990 Levine has created monochrome paintings. By slowly building up layers of paint, he exploits difference: for each work the canvas is often a slightly different color, tone, or weave; it may be stretched at different depths, creating thinner or thicker profiles; the shapes are almost but not quite square; […]
Manor Grunewald on Sunday-S Manor Grunewald focuses on the process of transforming images, whereby the printing process itself, as well as the results achieved with various printing techniques, plays a special role within his compositions, in which order and chaos, the creating, breaking, interrupting and dissolving of structures, are all key elements. With his most […]
Matthew Feyld on Sunday-S The foundation of Feyld’s work is the exchange between the physical, material, and more ambiguous aspects of the perception in painting. His recent paintings typically have upwards of 20-30 layers of paint and pigmented medium. Each layer is added and sometimes sanded, until the weave of the cotton canvas, or grain […]